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Combat 84 were an English Oi! band active during the early 1980s. Formed in 1981 in Chelsea, London by skinheads 'Chubby' Chris Henderson and 'Deptford' John Armitage, Combat 84 rose to national prominence after being featured in a controversial 1982 BBC ''Arena'' documentary about the skinhead movement. ==Career== The band was originally composed of Chris Henderson (vocals), 'Deptford' John Armitage (bass guitar), Jim (guitar) and Brownie (drums) and played their first gig supporting The Last Resort at the Walmer Castle, Peckham. The Last Resort's lead singer, Roi Pearce (later of The 4-Skins) liked the band and agreed to produce a two-song demo tape with them.〔 These sessions resulted in the songs "Soldier" and "Combat 84", which were favourably received in the music press, leading to the band being described as 'the new Sham 69'. In 1982, the manager of The 4-Skins, Gary Hitchcock attempted to get the band signed to Secret Records, then home to The 4-Skins, The Business, Infa Riot and The Exploited, although the deal fell through at the last minute, prompting Combat 84 to sign to Victory Records for the release of their ''Orders of the Day'' EP.〔 Former Business drummer John Fisher replaced Brownie for the recording of the second (1983) EP, ''Rapist''. More right-leaning, lyrically than many of their punk rock and Oi! peers, Combat 84 received much criticism for recording a song that advocated capital punishment for rapists ("Rapist"), and a song that supported nuclear weapons and criticized the Campaign for Nuclear Disarmament (CND) and ''reds'' ("Right to Choose"). Guitarist Jim stated in a 2000 interview that the latter song was intended in a tongue-in-cheek manner, and as a homage to Vietnam War movies.〔 Other lyrical themes included unemployment, inner-city violence, war, and slavish followers of fashion. Controversy erupted around the band after they were featured in a 1982 BBC ''Arena'' documentary, during which Henderson made racist comments. His views were not shared by the other band members; in the same documentary, 'Deptford' John commented on the similarity in living situation between black and white working-class youths in early 1980s Britain.〔(【引用サイトリンク】title=S.C.A.B. Interview: Combat 84 )〕 Footage of crowd violence at a gig was also broadcast in the documentary. This led to the breakup of the band, as their newly earned bad reputation discouraged venues from booking the band. Gigs were then often played under the pseudonym The 7th Cavalry to avoid the stigma of the Combat 84 name.〔 Victory Records, wanting little to do with the band at this point, compiled an album of studio recordings (intended for the band's debut album) and bootleg-quality live tracks and licensed it to German label Rock-O-Rama Records for release as ''Send in the Marines'' in 1984. The record was disowned by the band, which split up soon after.〔〔 In the intervening years, Combat 84 were frequently labelled as a neo-Nazi, white power or Rock Against Communism (RAC) band,〔 a charge which has been denied by 'Deptford' John and Jim, noting that the band's songs contained no racist lyrics, nor were they ever aligned with any far-right political party, although 'Deptford' John noted in a 2001 interview with the "Pissed and Proud" fanzine that he believes in free speech and whilst not supporting it, that RAC music should be allowed a platform - as "people should be allowed to say what they want".〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Combat 84」の詳細全文を読む スポンサード リンク
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